Quentin Tarantino Reviews Movies: From Dunkirk and King of New York, to Soul Brothers of Kung Fu & More

-

Some of the most influential directors of the French New Wave, like Jean-Luc Godard, François Truffaut, and Éric Rohmer, first stepped into the world of film as critics. They found their voices by publishing in the Paris cinephile institution of Cahiers du cinéma; a few decades later, Quentin Tarantino found his own by working at the Manhattan Beach cinephile institution of Video Archives. Stories of all the myriad ways in which he would express his enthusiasm for and expertise on cinema there have passed into legend. But just like the critics Godard, Truffaut, and Rohmer, the video-store clerk Tarantino ultimately seems to have signed on to the old proposition that the best response to a work of art is another work of art.

Tarantino’s endorsements of and introductions to the work of other directors (for example, the one he recorded for Wong Kar-wai’s Chungking Express) have given us a sense of his cinematic taste. So, in an even more telling manner, do the elements he steals — by his own admission — from other movies.




A look at the dance scene in Pulp Fiction, for example, reveals a filmmaker well acquainted with the French New Wave, and even more so with the work of Italia master Federico Fellini that came out in the same era. And even if you think you could go head-to-head with Tarantino on midcentury European auteurs, could you match his understanding of A Man Called Tiger, Fatal Needles vs. Fatal Fists, or Soul Brothers of Kung Fu?

Those are just three of the films Tarantino has reviewed at the web site of the New Beverly Cinema, the theater he owns in Los Angeles. Published in a low-profile manner, these short essays on the kind of 1970s Hong Kong martial-arts pictures that rightfully belong on downtown triple-bills (and that Tarantino surely first saw on downtown triple-bills) exude the kind of fan-critic energy that brings to mind bygone days of the internet.

Not that Tarantino eschews more recent movies and movie media. In late 2019 and early 2010, he appeared three times on The Ringer’s The Rewatchables podcast to share his thoughts on three pictures worth seeing again: Christopher Nolan‘s Dunkirk from 2017, Tony Scott’s Unstoppable from 2010, and Abel Ferrara’s King of New York from 1990. Listen and you may just feel like a Video Archive customer in the 1980s, getting recommendations from an oddly persuasive clerk.

Related Content:

Quentin Tarantino Picks the 12 Best Films of All Time; Watch Two of His Favorites Free Online

Quentin Tarantino’s Handwritten List of the 11 “Greatest Movies”

An Analysis of Quentin Tarantino’s Films Narrated (Mostly) by Quentin Tarantino

Quentin Tarantino’s Copycat Cinema: How the Postmodern Filmmaker Perfected the Art of the Steal

Quentin Tarantino Releases His First Novel: A Pulpy Novelization of Once Upon a Time in Hollywood

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

Quentin Tarantino Reviews Movies: From <i>Dunkirk</i> and <i>King of New York</i>, to <i>Soul Brothers of Kung Fu</i> & More is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.



from Art Life Culture https://ift.tt/3iendNL
via IFTTT

Comments

Post a Comment

Popular posts from this blog

How a Fake Cartoon Band Made “Sugar Sugar” the Biggest Selling Hit Single of 1969

-
Image
Rock critic Lester Bangs described bubblegum pop as “the basic sound of rock ‘n’ roll – minus the rage, fear, violence and anomie.” The short-lived genre had its roots in the Please Please Me era of the Beatles’ minus the sex and the sarcasm. But from the Beatles we can trace a pretty solid path to the Archies. Not that we deserved this band as an inevitability, but the cartoon concoction is one of a thousand variants from that infectious strain of post-war pop. The Archie’s lasting legacy is one single: the bonafide earworm, “Sugar Sugar.” Written by Jeff Barry and Andy Kim, it was a real number one single (it knocked the Rolling Stones’ “Honky Tonk Woman” off the throne in 1969) sung by a completely fake band, namely the cast of Archie Comics, the five or six perpetual teenagers that have been around since 1941. How we got there, we must go back to the Beatles. Once the Fab Four had started to quickly outgrow their innocent image, King Features turned the four into a Saturday M
Read more

How to Charge What You Are Worth as a Creative Professional.

-
Image
If you are having difficulty knowing what to charge, then check out your competition and find out what theyíre doing. Find out if they post prices or fees on their website or if they have "packages"  deals.  Do they have payment options? While you are researching, keep in mind just because your competition is charging one way it is not necessarily how you should be charging. One of my clients is a business and life coach.  Most coaches charge for a set number of scheduled phone meetings, which seems to be a standard for "the coaching industry," but that doesnít mean itís the best way. I encourage my clients to charge fees that match who their clients are and what they are trying to accomplish. Itís very refreshing to do what works for you and not necessarily follow the "industry standard."  If you donít feel comfortable with the way your industry charges, by all means, change it.  Just because the industryís doing it doesnít mean that itís right.
Read more